Anyway, starting at the beginning it is clear to see that neutral colours were popular. Mostly browns and beiges bordered designs that did feature beautiful typography, which when explored closely becomes obvious it is hand rendered. This method was pretty prominent right through to the 40's. Not much changed, however with the introduction of more film genres concepts became more abstract and illustrations more vivid. I would say that the first sign of change came in the 50's with the burgeoning 'epic' genre which called for higher profile posters and an all round better standard. The sixties still ran along the same lines but with artists like Saul Bass making a name for themselves, posters became more diverse and underground. More variations also became available, usually your standard theatrical release and a redesigned, more arty version by people who where beginning to appreciate poster design as an art form.
Then came the seventies and the eighties where things really took off, leading to to the nineties. It was almost as if people became lazy and just did the simplest thing. Usually meaning your bog standard nineties film poster contained a photo of the principal cast members or a key piece of scenery taking up the majority of the page, and the title placed at the bottom in the middle. It seemed as though so much effort was going into creating the film itself, there was no expense spared to advertise the feature. Fortunately things seemed to change in the noughties and variation was once again popular.
In conclusion there has been a long period of development in regards to film posters, but I think we are currently in a place where experimentation is applauded and many artists spend their time perfecting their own interpretations. Hopefully this will continue and the industry will flourish, with big time movie producers unafraid of taking a gamble on an artists vision.
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